About Me

Hello there, my name is Elizabeth. I am an award-nominated writer and editor with over 6 years of work experience across literary editing, journalism, and content and social media marketing. In this online portfolio, you can find a selection of my work throughout the years. 

If interested in commissioning me for a copywriting, journalistic, or literary project, you can contact me via lizdeyro@gmail.com.

Features

As a freelance journalist since 2019 and a former associate editor for CNN Philippines, I've had the opportunity to cover stories on Philippine culture and current affairs. I have bylines in both print and digital magazines published in the Philippines and internationally. 

After writing about the art industry for over three years, I decided to try my shot at submitting an entry for the 2021 Purita Kalaw-Ledesma Prizes in Art Criticism, for which my last-minute entry was shortlisted.

The Artist’s Social Responsibility in the Time of Crisis: On Leslie…

Under the community quarantine, fear was quick to slither across the archipelago, panic engulfing a nation so used to the idea of an imminent apocalypse. Bearing the brunt of the virus’s attack was the creative sector. For months, art galleries and museums were forced shut, engaging in the obligatory digitalization that has proven so inefficient with Asia’s second slowest internet speed; artists locked indoors, unable—or unwilling—to produce art while those in the margins gamble their lives in spite of the unnecessarily degrading repercussions to state-sanctioned quarantine violations.

LIFE ASKS: What about the laborers who can't work from home?

Manila (CNN Philippines Life) — As the cases of novel coronavirus in the Philippines increase daily, more Filipinos are finding themselves under a state of collective panic. Left widely undiscussed is just how drastic the impact is for the urban poor who already find difficulty in keeping their families fed for at least three times a day, much less unable to afford decent gear with which to protect themselves amid the COVID-19 pandemic.

Farmers are business partners in this zero-waste café

Sierreza – which has artisan stores in Los Baños and Maginhawa Street – has no set menu. It serves what farmers in partner communities plant.
For the better part of a decade doing volunteer work, Che Abrigo had witnessed the plight of marginalized farmers firsthand.

She wanted to serve the farming communities better, but she didn’t believe in giving them dole-outs, as many volunteer groups would tend to do. She instead offered farmers actual livelihood.

SEO Blog Content

Since 2021, I have been working as a full-time, agency-based marketing specialist, specializing in content and social media marketing. As a former content coordinator, I strategized, developed, and published SEO-optimized blogs for local and international brands. Using the knowledge I got from this experience, I now accept freelance commissions to write the same type of content. Article list to be updated.

Social Media Content

Working on social media as a content specialist, I do copywriting, copy editing, and a bit of creative direction for both organic content and paid ads. 

Creative Writing

Outside of work, I was a widely published poet and essayist. My poems specifically cover themes of feminism and women's rights. A poem of mine entitled "There is Violence Inside a Woman" was nominated for the 2019 Pushcart Prize.

Rust+Moth

This literary journal published a poem of mine titled "Pyromania" as part of its Spring 2019 issue. The issue is available online and in print.

Searchlight Song

I maintained a column called Searchlight Song for Half Mystic, for which I wrote personal essays that looked into the relationship between identity and music

Hypertrophic Literary

Publishing three of my poems, this now-defunct independent magazine brought me my first prize nomination for my literary work.

Watch GKIE's video adaptation of "There is Violence Inside a Woman"

Literary Editing

From 2017 to 2022, I have been an active participant in the online literary community, both as a writer and an editor. I founded my own publications as well as volunteered for different literary magazines, reading and editing poetry, fiction, and creative nonfiction.

The Brown Orient

The Brown Orient was a pan-Asian literary journal that platformed works by women and LGBTQIA+ writers and artists from underrepresented regions in Asia. Having published four print issues before going on an indefinite hiatus, I served as the founding editor-in-chief and creative director, leading a team of 10+ staff members.

RECLAIM: An Anthology of Women's Poetry

This is a collection of poems written by women across the globe, both emerging and established in the literary scene. RECLAIM was a solo project for myself: I independently sourced, curated, published, marketed, and financed everything from start to finish. Print copies of the book are available at The Second Shelf (London), A Novel Idea (Philadelphia), and Books Actually (Singapore). It was also exhibited at the 2019 Poets House Showcase in New York. 

Contact Me

My inbox is always open. You can also contact me through the form below:

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